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Slide item 1

Rasa’s main square: Gustavo Pulitzer Finali Square

Photo: Luca Massari

Slide item 2

Main square with town hall and post office

Photo: Luca Massari

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Passage connecting the main square with the residential areas

Photo: Luca Massari

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Quite unusual for Fascist planned town: the church dominates Rasa’s main square

Photo: Luca Massari

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Church of St. Barbara in modernist style

Photo: Luca Massari

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Architect Pulitzer created artful plays of natural light in the church interiors.

Photo: Luca Massari

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Ugo Carà’s stone relief of the miner’s saint patron (St. Barbara Church)

Photo: Luca Massari

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Chuch nave: overturned ship or oveturned coal wagon?

Photo: Luca Massari

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1938: Marcello Mascherini’s sculpture of a mine warrior, which was destroyed after WW II

Photo: Municipality of Rasa Archive

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Former Casa del Fascio

Photo: Luca Massari

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Former OND building (Fascist community centre) attached to the Casa del Fascio

Photo: Luca Massari

Slide item 12

Naval theme of the OND building: round windows and the balcony reminding a ship stern

Photo: Luca Massari

Main Square

Fusion of modernist style and Istrian tradition

The main concern of architect Gustavo Pulitzer Finali was to design a town in harmony with the surroundings and which responded to the miners’ needs. In fact, a moderate modernism is merged with elements of the traditional rural architecture of Istria. The main square displays mining symbols and the naval theme, alongside weak elements of Fascist rhetoric.

Unusual planned town

Pulitzer’s approach was very different compared to the rhetoric of other planned towns, where monumentality was used to glorify the regime. Usually, the most important building in the newly built towns was the Fascist party house. In the square of Raša, the Casa del Fascio is just part of a multifunctional long building without particular emphasis, except for a small balcony for public speeches. The dominating building is the church.

Ships, mining symbols and avant-garde modernist style

The Church of St. Barbara is characterised by the skilful use of volumes and artful plays of natural light in the interiors. A huge stone relief of the miner’s saint patron created by sculptor Ugo Carà is collocated on the right entrance pylon. The church introduces a new architectural style compared to the traditional Istrian arcades used in the square. Its original forms are often justified as recalling mining themes: the nave is supposed to recall the coal wagons used in the galleries; the massive bell tower a miner’s lamp. Another hypothesis assumes that the nave recalls the shape of an overturned ship, since Pulitzer designed ship interiors. However, the architect was extremely avant-garde, inspired by other religious buildings of the time built in Germany by modernist architect Alfred Fischer.

Casa del Fascio and Fascist propaganda

The Fascist party building (Casa del Fascio) is characterised by a small semi-circular balcony, the only weak symbol of Fascist propaganda, supposed to serve political leaders to address the public. Below the balcony there was a monumental sculpture of a miner warrior created by Marcello Mascherini, which was destroyed after WW2. Attached to the Casa del Fascio was the OND building (Opera Nazionale Dopolavoro), the former community centre for the mine worker's. The central part of the building recalls the shape of a ship, with its round windows and an iron-fenced balcony, reminiscent of a ship's stern.